You’ve spent your time at one of our schools working hard and immersing yourself in all of the learning and experiences on offer, what next?
Ambitious and motivated, alumni from across our international schools are establishing themselves in the next stages of their careers in the music industry and beyond. They’re working as producers and engineers to undertaking internships and much more. The opportunities are broad, from working in studios, for a range of businesses and startups in the music and cultural sectors to setting up their own initiatives and working freelance, juggling lots of exciting and demanding projects. We’re looking forward to following the future successes of graduates from our new Johannesburg school when our first class finishes in 2021!
After completing their studies our future Johannesburg graduates will join a global alumni Abbey Road network including all of our alumnii as well as our industry friends. This extended family are from different backgrounds and with different skill sets they progress onto a range of careers. Brought together at the end of their study for the global graduation ceremony there are many opportunities for future collaboration and partnerships.
Hakim Tazi a suivi la formation d’Abbey Road Institute Paris d’Octobre 2016 à Octobre 2018. Depuis qu’il est diplômé il multiplie les enregistrements mais aussi les mixages dans le 78 (Yvelines). Début 2020, il sort son premier projet en tant que producteur sous le nom de « Gamebreaker ». La mixtape de 12 titres (dont deux interludes) se nommé « Sombre Negro ». Un projet résolument urbain qui a pour objectif de montrer la face sombre de l’artiste. Notons que ce nouvel opus a été masterisé par un autre diplômé d’Abbey Road Institute Paris: Valentin Larbre qui a aussi développé sa structure.
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Gabriëlle Stok now works as an assistant engineer at the West-London studio SARM, which was established by Chris Blackwell, the founder of Island Records. Since starting at SARM Gabrielle has been working on many sessions with both established and up and coming artists. Outside of her work there she also producing her own music to pitch to artists. Some of her highlights so far at SARM include working with American producer Jeff Bhasker (Kanye West, Jay Z, Mark Ronson), engineering during his writing sessions. Engineering has been her main focus since graduation, and Gabrielle also plans to maintain both work in production and songwriting as part of her future career plans.
You can find out more about Gabrielle’s experience at SARM in her interview on our blog.
Charlotte Rochecouste graduated from Abbey Road Institute Melbourne in 2017 and is now an Assistant Engineer at Studios 301. In a recent Alumni interview, Charlotte said “If you have a good can-do attitude… then you can achieve anything” . That attitude has shone through and supported her advances at 301. She works directly with ARIA award winner Simon Cohen as assistant in his vocal chain, and consequently vocal engineering with hiphop heavyweight L Fresh the Lion. She also collaborates with local Sydney artists as a writer, producer and engineer. Charlotte is using her platform to encourage other young people in her field to create a strong and safe community.
When she’s not collaborating with incredible Australian artists, she’s working on her own material as a singer/songwriter. She records her stunning voice under the alias Charlotte Adelle and publishes the videos on Youtube and Instagram. Consequently, she is well on her way to becoming a name in the Australian music scene.
Since graduating in 2018 Ramera Abraham was selected as one of 3 worldwide recipients of the EQL Studio Residency, a programme for female music producers and sound engineers (in partnership with Berklee College of Music). In this role Ramera worked as the sound engineer for the Spotify Secret Genius Studio that operates out of Metropolis Studios. In addition to producing and engineering, she is also an active drummer and songwriter and part of a songwriting and production duo with fellow alumnus, Antonio Esposito. While at Spotify, Ramera engineered sessions for various producers and songwriters like Sigma, 1Mind (French Montana, Wiz Khalifa), Linnea Södahl (Zara Larsson), Mr. Hudson, and JP Cooper. Upon completion of her role at Spotify, Ramera is now freelance sound engineer and vocal producer and has run recording sessions with Greyson Chance, Gabriele Aplin, and Not3s, and AJ Tracey. She’s also been back at Abbey Road in 2019 assisting on sessions with CHIC artists Jerry Barnes and Ralph Rolle.
Following his graduation, Dominic Parry has been working as a full-time apprentice at leading audio equipment rental company Britannia Row Productions. Founded by Pink Floyd, Britannia Row has grown to become a global leader providing equipment for the London Olympics, Foo Fighters, Mumford & Sons and The Cure‘s tour. Dominic assisted in the 2019 Brit Awards as a stage technician for numerous performing acts including James Bay, Calvin Harris, Hugh Jackman, and P!NK. He has also worked on Andrea Bocelli’s world tour and the MTV European Music Awards. Dominic’s apprenticeship scheme at Britannia Row Productions continued the training he started at Abbey Road Institute. He worked for several months in each of the companies departments (Maintenance, Speakers, Cables, Rigging, RF, Digital, Warehouse Manager Assistant & Prep) whilst taking part in two 15 week training courses; Live Sound fundamentals and Live Sound Intermediate. Alongside his day work, Dominic Parry has worked on gigs at The Roundhouse and the centennial WW1 memorial service.
You can find out more about Britannia Row on our blog.
Raphaël Guédin a suivi le cursus à Abbey Road Institute d’Octobre 2017 à Septembre 2019. Particulièrement impliqué dans son apprentissage, il multiplie les expériences musicales pendant ses deux années de formation. Il saisi notamment l’opportunité d’enregistrer le groupe Mother Vulture dans le studio Gatehouse à Abbey Road Studios (UK). Proactif, il effectue aussi un stage aux studios Audioscope, dans le 15e arrondissement de Paris. L’expérience s’avère concluante puisque quelques jours après la fin de sa formation Raphaël est embauché comme assistant dans le célèbre studio.
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The curriculum is fantastic, extremely comprehensive, contemporary and relevant to today’s industry.
Applying for the diploma was the best thing I could have done for my career. I'm really amazed at how much I learnt in one year.
There is some real visionary foresight in Abbey Road Institute being established to preserve the cultural legacy of Abbey Road.
I had an incredible experience. The staff have so much to offer and cover so many different areas of music.
The course taught me what it means to be a producer and engineer in the industry, I learned things I couldn’t have learned anywhere else.
It’s a unique experience in so many ways, the location, the calibre of guest lecturers and access to Abbey Road Studios for classes is pretty amazing. There aren't many places you get to record a full orchestra!